Pro Tools

Audio editors

The studio standard, and almost certainly more DAW than a podcast needs.

PodStack editorial · Product research. How we review tools

Visit Pro Tools

Pro Tools is the audio industry's default session format. If you send work to a professional studio, a mixer, or a post house, they can open a Pro Tools session without a conversation.

For podcasting that matters only in narrative or broadcast work, where the show moves between hands. For a weekly interview edited by one person, everything Pro Tools does well is invisible and everything it costs is visible.

The free Intro tier exists and is genuinely limited. Artist is the realistic entry point, and Studio is where the plugin set and track count stop being a constraint.

Use it if you already speak it. If you are choosing a first editor, Reaper costs sixty dollars once and will not make you learn a session-sharing workflow you do not need.

Report a correction for Pro Tools

Sources for this review

Related tools

  • A real editor you buy once and keep forever.

    Audio editors

    $60 discounted license
    The gotcha

    The first hour looks like a cockpit, and it thinks you are making music.

    Price checked

  • Free, local, and still good enough to cut a whole season.

    Audio editors

    Free
    The gotcha

    The download page pushes MuseHub, an extra app you do not need for the editor.

    Price checked

  • Editing by reading. Fast, and quietly opinionated about your voice.

    Audio editors

    Free, then from $16/mo billed annually
    The gotcha

    Filler-word removal can flatten the performance, and media hours are a meter.

    Price checked

  • A spoken-word editor that levels for you and keeps the story tools close.

    Audio editors

    Personal shop plans
    The gotcha

    Transcript hours sit on Plus and Premium. Standard has the editor only.

    Price checked

Not the right fit? Compare the rest of daws.